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<channel><title><![CDATA[The Crunch - Blog]]></title><link><![CDATA[http://www.crunchpoetry.com/blog]]></link><description><![CDATA[Blog]]></description><pubDate>Tue, 04 Nov 2025 22:31:41 +0000</pubDate><generator>Weebly</generator><item><title><![CDATA[What We're Reading – April 2019]]></title><link><![CDATA[http://www.crunchpoetry.com/blog/what-were-reading-april-2019]]></link><comments><![CDATA[http://www.crunchpoetry.com/blog/what-were-reading-april-2019#comments]]></comments><pubDate>Wed, 17 Apr 2019 09:16:42 GMT</pubDate><category><![CDATA[What We're Reading]]></category><guid isPermaLink="false">http://www.crunchpoetry.com/blog/what-were-reading-april-2019</guid><description><![CDATA[       In Issue 11's podcast, Adam recommended a collection that takes the form of a personal narrative through addiction and recovery, Richard revealed he had been enjoying a recent Penguin anthology of haiku poetry, Rhys spoke highly of a classic verse novel from Anne Carson, and our guest Rhian Elizabeth recommended a non-fiction account of perhaps the 20th century&rsquo;s most enduring survival story.      Calling a Wolf a Wolf &ndash; Kaveh AkbarAlice James Books, 2017Taking the form of a p [...] ]]></description><content:encoded><![CDATA[<div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/what-we-re-reading-banner_3_orig.png" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;"><em>In <a href="http://www.crunchpoetry.com/issue-11.html" target="_blank">Issue 11's</a> podcast, <a href="http://www.crunchpoetry.com/adam-sillman.html" target="_blank">Adam</a> recommended a collection that takes the form of a personal narrative through addiction and recovery, <a href="http://www.crunchpoetry.com/richard-james-jones.html" target="_blank">Richard</a> revealed he had been enjoying a recent Penguin anthology of haiku poetry, <a href="http://www.crunchpoetry.com/rhys-owain-williams.html" target="_blank">Rhys</a> spoke highly of a classic verse novel from Anne Carson, and our guest <a href="http://www.crunchpoetry.com/rhian-elizabeth.html" target="_blank">Rhian Elizabeth</a> recommended a non-fiction account of perhaps the 20th century&rsquo;s most enduring survival story.</em></div>  <div><div style="height: 20px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><strong>Calling a Wolf a Wolf &ndash; Kaveh Akbar</strong><br /><em>Alice James Books, 2017</em><br /><br />Taking the form of a personal narrative that follows a path through addiction and to recovery, <em>Calling a Wolf a Wolf</em> is the much-anticipated debut collection from Iranian-American poet Kaveh Akbar. Originally published by Alice James Books in the USA in September 2017, a UK version was released by Penguin Books in January 2018.<br /><br />Akbar has revealed that this collection was his way of processing what he experienced as an addict, exploring not only what he felt through the process of recovery but also how addiction completely isolated him from society and made the world around him so surreal. These are powerful, intimate poems of thirst: for alcohol, for other bodies, for knowledge and for life.<br /><br /><em>Calling a Wolf a Wolf</em> is available to buy from <a href="https://www.penguin.co.uk/books/308/308637/calling-a-wolf-a-wolf/9780141987972.html" target="_blank">penguin.co.uk</a></div>  <div><div style="height: 20px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><strong>The Penguin Book of Haiku</strong><br /><em>Penguin Classics, 2018</em><br /><br />Now a global poetry, the haiku was originally a Japanese verse form that flourished from the sixteenth to nineteenth centuries. Although renowned for its brevity, and for its use of natural imagery to make Zen-like observations about reality, in fact the haiku is much more: it can be erotic, funny, crude and mischievous.&nbsp;<br /><br />Presenting over a thousand exemplars in vivid and engaging translations, <em>The Penguin Book of Haiku </em>offers an illuminating introduction to this widely celebrated, if misunderstood, art form. Adam L. Kern's new translations are accompanied in the anthology by the original Japanese and short commentaries on the poems, as well as an introduction and illustrations from the period.<br /><br /><em>The Penguin Book of Haiku</em> is available to buy from <a href="https://www.penguin.co.uk/books/338/33889/the-penguin-book-of-haiku/9780140424768.html" target="_blank">penguin.co.uk</a>&nbsp;<br></div>  <div><div style="height: 20px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><strong>Miracle in the Andes &ndash; Nando Parrado&nbsp;</strong><br /><em>Crown, 2006</em><br /><br />In October 1972, members of a Uruguayan rugby union team were on a flight from Montevideo to Chile when their plane crashed into a mountain. Miraculously, among the people on board, many survived the initial crash. However, stranded more than 11,000 feet up in the wilderness of the Andes, the survivors soon heard that the search for them had been called off. When what little food they had ran out after 10 days, those still alive agreed that after their death the others should eat their bodies to survive.<br /><br /><em>Miracle in the Andes</em> is an autobiographical account of the 1972 Andes plane crash and rescue. In this non-fiction book from 2006, survivor Nando Parrado recounts the rugby team's survival on a glacier in the Andes for 72 days.<br />&nbsp;<br /><em>Miracle in the Andes</em> is available to buy from <a href="https://www.orionbooks.co.uk/titles/nando-parrado/miracle-in-the-andes/9781409105879/" target="_blank">orionbooks.co.uk</a></div>  <div><div style="height: 20px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><strong>Autobiography Of Red &ndash; Anne Carson</strong><br /><em>Alfred A. Knopf, 1998</em><br /><br /><em>Autobiography of Red</em> is a verse novel based loosely on the myth of Geryon and the Tenth Labor of Herakles. In this extraordinary epic poem, Anne Carson bridges the gap between classicism and the modern, poetry and prose, with a volcanic journey into the soul of a winged red monster named Geryon. Sexually abused by his older brother, his affectionate mother too weak-willed to protect him, the monstrous young boy finds solace in photography and in a romance with a young man named Herakles.&nbsp;<br /><br />A deceptively simple narrative layered with currents of meaning and emotion, <em>Autobiography of Red</em> is a powerful and unsettling story that moves, disturbs, and delights. Originally published in 1998, it was warmly received by authors and critics, and has been called one of the crossover classics of contemporary poetry.<br /><br /><em>Autobiography Of Red</em> is available to buy from <a href="https://www.penguin.co.uk/books/104/1040201/autobiography-of-red/9780224059732.html" target="_blank">penguin.co.uk</a><br></div>  <div><div style="height: 20px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><em>To hear what we said about these books in the 'What We're Reading' segment of the Issue 11 podcast, go here: <a href="http://www.crunchpoetry.com/issue-11.html" target="_blank">crunchpoetry.com/issue-11.html</a></em></div>]]></content:encoded></item><item><title><![CDATA[What We're Reading – December 2018]]></title><link><![CDATA[http://www.crunchpoetry.com/blog/what-were-reading-december-2018]]></link><comments><![CDATA[http://www.crunchpoetry.com/blog/what-were-reading-december-2018#comments]]></comments><pubDate>Mon, 24 Dec 2018 12:09:30 GMT</pubDate><category><![CDATA[What We're Reading]]></category><guid isPermaLink="false">http://www.crunchpoetry.com/blog/what-were-reading-december-2018</guid><description><![CDATA[       In Issue 10's podcast, our guest Mari Ellis Dunning recommended a poetry anthology that reminds how the right words can influence the universe, Rhys pointed our listeners towards a collection that traces the rites and rituals of passage across three generations, Richard recommended some entertaining and spirited essays that vary&nbsp;in form and style, and Adam took the opportunity to ask Rhys a few questions about his debut poetry collection 'That Lone Ship'.      Species of Spaces and O [...] ]]></description><content:encoded><![CDATA[<div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0px;margin-right:0px;text-align:center"> <a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/what-we-re-reading-banner_2_orig.png' rel='lightbox' onclick='if (!lightboxLoaded) return false'> <img src="http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/what-we-re-reading-banner_2_orig.png" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;"><em>In <a href="http://www.crunchpoetry.com/issue-10.html" target="_blank">Issue 10's</a> podcast, our guest <a href="http://www.crunchpoetry.com/mari-ellis-dunning.html" target="_blank">Mari Ellis Dunning</a> recommended a poetry anthology that reminds how the right words can influence the universe, <a href="http://www.crunchpoetry.com/rhys-owain-williams.html" target="_blank">Rhys </a>pointed our listeners towards a collection that traces the rites and rituals of passage across three generations, <a href="http://www.crunchpoetry.com/richard-james-jones.html" target="_blank">Richard</a> recommended some entertaining and spirited essays that vary</em><em>&nbsp;in form and style</em><em>, and <a href="http://www.crunchpoetry.com/adam-sillman.html" target="_blank">Adam</a> took the opportunity to ask Rhys a few questions about his debut poetry collection 'That Lone Ship'.</em></div>  <div><div style="height: 20px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><strong>Species of Spaces and Other Pieces &ndash; Georges Perec</strong><br /><em>Galil&eacute;e, 1974</em><br /><br />Georges Perec was only forty-six when he died in 1982. Despite a tragic childhood, during which his mother was deported to Auschwitz, Perec produced some of the most entertaining and spirited essays of the age. His literary output was deliberately varied in form and style, and&nbsp;<em>Species of Spaces and Other Pieces</em> is a generous selection of his non-fiction work.&nbsp;<br /><br />In this collection of essays, Perec contemplates the many ways in which we occupy the space around us, and depicts the commonplace items with which we are familiar in a startling, engrossing way. He recounts his psychoanalysis while remaining reticent about his feelings, and depicts the Paris of his childhood without a trace of sentimentality. <em>Species of Spaces and Other Pieces</em> demonstrates Perec&rsquo;s characteristic lightness of touch, wry humor, and accessibility.&nbsp;<br /><br /><em>Species of Spaces and Other Pieces</em> is available to buy from <a href="https://www.penguin.co.uk/books/175/17527/species-of-spaces-and-other-pieces/9780141442242.html" target="_blank">penguin.co.uk</a></div>  <div><div style="height: 20px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><strong>Spells: 21st-Century Occult Poetry</strong><br /><em>Ignota Books, 2018</em><br /><br /><em>Spells</em>, the first poetry anthology from independent publisher Ignota Books, brings together 36 contemporary voices exploring the territory where justice, selfhood and the imagination meet the transformative power of the occult. Reflecting recent struggles around #MeToo and the growing interest in witchcraft and astrology, these poems unmake the world around them so that it might be remade anew.&nbsp;&nbsp;<br /><br />Edited by Sarah Shin and Rebecca Tam&aacute;s, with an introduction by So Mayer, the contributors to <em>Spells</em> include Emily Berry, Kayo Chingonyi and past Crunch guest <a href="http://www.crunchpoetry.com/nia-davies.html" target="_blank">Nia Davies</a>. <em>Spells</em> takes us into a place where the right words can influence the universe.<br /><br /><em>Spells: 21st-Century Occult Poetry</em> is available to buy from <a href="https://ignota.org/products/spells" target="_blank">ignota.org</a></div>  <div><div style="height: 20px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><strong>All My Mad Mothers &ndash; Jacqueline Saphra&nbsp;</strong><br /><em>Nine Arches Press, 2017</em><br /><br /><em>All My Mad Mothers</em> explores love, sex and family relationships in vivacious, lush poems that span the decades and generations. At the heart of this collection of poems is the portrait of a mother as multitudes &ndash; as a magician with a bathroom of beauty tricks, as necromancer, as glamorous fire-starter, trapped in ever-decreasing circles and, above all else, almost impossible to grasp.&nbsp;<br /><br />These astute poems step assuredly from childhood&rsquo;s first exposures to the scratched records and unsuitable lovers of young womanhood, the slammed doors of daughters and sons, the tears and salted soups of friendships, and the charms of late love. All the time, incandescent and luminous as an everlasting lightbulb, at the heart of each of Saphra&rsquo;s poems is a delicate filament kicking out a heavy-duty wattage.<br />&nbsp;<br /><em>All My Mad Mothers</em> is available to buy from <a href="http://ninearchespress.com/publications/poetry-collections/all%20my%20mad%20mothers.html" target="_blank">ninearchespress.com</a></div>  <div><div style="height: 20px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><strong>That Lone Ship &ndash; Rhys Owain Williams</strong><br /><em>Parthian Books, 2018</em><br /><br /><em>That Lone Ship</em> is the debut collection from The Crunch&rsquo;s own Rhys Owain Williams. It was launched by Parthian Books in October 2018 alongside <em>Salacia</em>:&nbsp;the debut collection from our Issue 10 guest Mari Ellis Dunning.&nbsp;&nbsp;<br /><br />During the &lsquo;What We&rsquo;re Reading&rsquo; segment of Issue 10&rsquo;s podcast, Adam took the opportunity to ask Rhys and Mari how their books had been received, and how it felt now that they were out in the world. Mari and Rhys also gave us an insight into what it&rsquo;s like to launch a collection alongside other poets.&nbsp;<br /><br /><em><a href="https://www.parthianbooks.com/collections/new-releases/products/that-lone-ship" target="_blank">That Lone Ship</a></em> and <em><a href="https://www.parthianbooks.com/collections/new-releases/products/salacia" target="_blank">Salacia</a></em> are available to buy individually or as <a href="https://www.parthianbooks.com/collections/new-releases/products/new-poetry-bundle" target="_blank">part of a bundle</a>&#8203;&nbsp;from <a href="https://www.parthianbooks.com" target="_blank">parthianbooks.com</a></div>  <div><div style="height: 20px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><em>To hear what we said about these books in the 'What We're Reading' segment of the Issue 10 podcast, go here: <a href="http://www.crunchpoetry.com/issue-10.html" target="_blank">crunchpoetry.com/issue-10.html</a></em></div>]]></content:encoded></item><item><title><![CDATA[What We're Reading – August 2018]]></title><link><![CDATA[http://www.crunchpoetry.com/blog/what-were-reading-august-2018]]></link><comments><![CDATA[http://www.crunchpoetry.com/blog/what-were-reading-august-2018#comments]]></comments><pubDate>Wed, 29 Aug 2018 15:26:21 GMT</pubDate><category><![CDATA[What We're Reading]]></category><guid isPermaLink="false">http://www.crunchpoetry.com/blog/what-were-reading-august-2018</guid><description><![CDATA[       In Issue 9's podcast, Adam,&nbsp;Rhys and our guest Emily Blewitt coincidentally all chose poetry pamphlets to recommend to our listeners, proving that the art form is still going strong almost a decade after Jackie Kay celebrated its 'return'.      Teaching a Bird to Sing &ndash; Tracey Rhys&nbsp;Green Bottle Press, 2016Tracey Rhys&rsquo;s Teaching a Bird to Sing was published by Green Bottle Press in 2016, and was featured in The TLS in its end-of-year round-up of the Michael Marks Awar [...] ]]></description><content:encoded><![CDATA[<div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/what-we-re-reading-banner_1_orig.png" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph"><em>In Issue 9's podcast, <a href="http://www.crunchpoetry.com/adam-sillman.html" target="_blank">Adam</a>,&nbsp;<a href="http://www.crunchpoetry.com/rhys-owain-williams.html" target="_blank">Rhys</a> and our guest <a href="http://www.crunchpoetry.com/emily-blewitt.html" target="_blank">Emily Blewitt</a> coincidentally all chose poetry pamphlets to recommend to our listeners, proving that the art form is still going strong almost a decade after <a href="https://www.theguardian.com/books/booksblog/2009/feb/06/poetry-pamphlet-jackie-kay" target="_blank">Jackie Kay celebrated its 'return'</a>.</em></div>  <div><div style="height: 20px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><strong>Teaching a Bird to Sing &ndash; Tracey Rhys&nbsp;</strong><br /><em>Green Bottle Press, 2016<br /></em><br />Tracey Rhys&rsquo;s <em>Teaching a Bird to Sing</em> was published by Green Bottle Press in 2016, and was featured in <em>The TLS</em> in its end-of-year round-up of the <em>Michael Marks Awards for Poetry Pamphlets</em>. Touching yet unsentimental, <em>Teaching a Bird to Sing</em> explores Rhys&rsquo;s son&rsquo;s diagnosis of autism, what it means to her and the frustrations, worries and hopes it brings.&nbsp;<br /><br />Written from the perspective of both mother and child, the poems in this pamphlet are by turns tender and outraged. Some were featured in the Winterlight Theatre stage show <em>Touch Blue Touch Yellow</em>, providing a sobering insight into the lives of autistic people and those who love them.<em><br /><br />Teaching a Bird to Sing</em> is available to buy from <a href="https://greenbottlepress.com/order-form/our-books/" target="_blank">greenbottlepress.com</a></div>  <div><div style="height: 20px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><strong>The Wild Gods &ndash; Malene Engelund</strong><br /><em>Valley Press, 2016</em><br /><br />Malene Engelund grew up in Aalborg, a city grown from a former Viking settlement in northern Denmark. She moved to England in 2002 and currently lives in Greenwich. The eighteen poems that comprise her debut pamphlet, <em>The Wild Gods</em>, reveal a distinctly Nordic imagination, punctured with rich colour, shadows and light.&nbsp;<br /><br />Here are letters, portraits and prayers, composed with an almost painterly precision. Searching and clear-eyed, each poem is a compact saga that revives folklore and extends it into the present. Engelund&rsquo;s wild gods take their places between borders: of home and belonging, darkness and dawn, the silenced and the lost.&nbsp;<br /><br /><em>The Wild Gods</em> is available to buy from <a href="https://www.valleypressuk.com/book/64/the_wild_gods" target="_blank">valleypressuk.com</a></div>  <div><div style="height: 20px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><strong>Giraffe &ndash; Bryony Littlefair</strong><br /><em>Seren, 2017</em><br /><br /><em>Giraffe</em> is a beguiling, beautiful and entertaining debut pamphlet of poems by Bryony Littlefair. Her poetry displays novelistic qualities: clarity of language and the use of realism, a feeling for plot and incident, an eye and ear for character. Also noted are the subtle ways that Littlefair indicates character and relationships. There is a good deal of wit on display in <em>Giraffe</em>, but also a wonderful humanity.<br /><br />Poems need head, heart, and soul but this particular <em>Mslexia Poetry Prize</em>-winning pamphlet has an extra ingredient: a feminist kick. Littlefair is acutely aware of women&rsquo;s lives and gives us mothers, daughters, grandmothers, friends and colleagues whose adventures or misadventures we become increasingly eager to follow.&nbsp;<br /><br /><em>Giraffe</em> is available to buy from <a href="https://www.serenbooks.com/productdisplay/giraffe" target="_blank">serenbooks.com</a></div>  <div><div style="height: 20px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><em>To hear what we said about these books in the 'What We're Reading' segment of the Issue 9 podcast, go here: <a href="http://www.crunchpoetry.com/issue-9.html" target="_blank">crunchpoetry.com/issue-9.html</a></em></div>]]></content:encoded></item><item><title><![CDATA[What We're Reading – May 2018]]></title><link><![CDATA[http://www.crunchpoetry.com/blog/what-were-reading-may-2018]]></link><comments><![CDATA[http://www.crunchpoetry.com/blog/what-were-reading-may-2018#comments]]></comments><pubDate>Wed, 30 May 2018 16:15:38 GMT</pubDate><category><![CDATA[What We're Reading]]></category><guid isPermaLink="false">http://www.crunchpoetry.com/blog/what-were-reading-may-2018</guid><description><![CDATA[       &#8203;In Issue 8's podcast, Rhys recommended a debut collection that interrogates the very idea of masculinity, Adam chose to highlight a new novel by a Faber poet, Richard suggested a modern morality cycle with an everyman figure at its centre, and our guest clare e. potter praised an artful and expansive collection from a newly-revived author.      physical &ndash; Andrew McMillanJonathan Cape, 2015Winner of the 2015 Guardian First Book Award, Andrew McMillan&rsquo;s debut poetry colle [...] ]]></description><content:encoded><![CDATA[<div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0px;margin-right:10px;text-align:center"> <a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/what-we-re-reading-banner-1_orig.png' rel='lightbox' onclick='if (!lightboxLoaded) return false'> <img src="http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/what-we-re-reading-banner-1_orig.png" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;"><em>&#8203;In Issue 8's podcast, <a href="http://www.crunchpoetry.com/rhys-owain-williams.html" target="_blank">Rhys</a> recommended a debut collection that interrogates the very idea of masculinity, <a href="http://www.crunchpoetry.com/adam-sillman.html" target="_blank">Adam</a> chose to highlight a new novel by a Faber poet, <a href="http://www.crunchpoetry.com/richard-james-jones.html" target="_blank">Richard</a> suggested a modern morality cycle with an everyman figure at its centre, and our guest <a href="http://www.crunchpoetry.com/clare-e-potter.html" target="_blank">clare e. potter</a> praised an artful and expansive collection from a newly-revived author.</em></div>  <div><div style="height: 0px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><strong>physical &ndash; Andrew McMillan</strong><br /><em>Jonathan Cape, 2015</em><br /><br />Winner of the 2015 Guardian First Book Award, Andrew McMillan&rsquo;s debut poetry collection <em>physical</em> confronts what it is to be a man, and interrogates the very idea of masculinity. Raw and urgent, these poems are hymns to the male body &ndash; to male friendship and male love &ndash; muscular, sometimes shocking, but always deeply moving.<br /><br />McMillan is an elegant stylist and an unfashionably honest poet. Dispensing with conventional punctuation, he is attentive and alert to the quality of breathing, giving his poems an extraordinary sense of being vividly poised and present &ndash; drawing lines that are deft, lyrical and perfectly pitched from a world of urban dereliction.&nbsp;<br /><br /><em>physical</em> is available to buy from <a href="https://www.penguin.co.uk/books/1108192/physical/" target="_blank">penguin.co.uk</a>&nbsp;</div>  <div><div style="height: 0px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><strong>The Adulterants &ndash; Joe Dunthorne&nbsp;</strong><br /><em>Hamish Hamilton, 2018</em><br /><br />Joe Dunthorne&rsquo;s <em>The Adulterants</em> is an uproarious tale of competitively sensitive men and catastrophic open marriages, riots on the streets of London and Internet righteousness, and one man's valiant quest to come of age in his thirties.&nbsp;<br /><br />Fresh, sharp and wickedly funny, <em>The Adulterants</em> is Dunthorne's third novel, following <em>Submarine</em> (2008) and <em>Wild Abandon</em> (2011). His first full-length poetry collection will be published by Faber and Faber in 2019.<br /><br /><em>The Adulterants</em> is available to buy from <a href="https://www.penguin.co.uk/books/305423/the-adulterants/" target="_blank">penguin.co.uk</a></div>  <div><div style="height: 0px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><strong>Pallbearers Envying the One Who Rides &ndash; Stephen Dobyns</strong><br /><em>Penguin, 1999</em><br /><br />A modern morality cycle with an everyman figure named Heart at its centre, <em>Pallbearers Envying the One Who Rides</em> takes the form of sixty-one episodic poems. Throughout the collection, Heart &ndash; who &ldquo;comes to resemble Charlie Brown as seen by Charles Bukowski&rdquo; &ndash; is foiled repeatedly in his quest for happiness.&nbsp;<br /><br />Dobyns&rsquo; poetry employs extended tropes, using the ridiculous and the absurd as vehicles to introduce more profound meditations on life, love, and art. Originally published by Penguin in 1999, <em>Pallbearers Envying the One Who Rides</em> is Dobyn&rsquo;s tenth collection of poems. A later edition was published by Bloodaxe Books.<br /><br /><em>Pallbearers Envying the One Who Rides </em>is now out of print, but you can still pick up a second-hand copy at <a href="https://www.worldofbooks.com/pallbearers-envying-the-one-who-rides-by-stephen-dobyns-gor006638944.html" target="_blank">worldofbooks.com</a></div>  <div><div style="height: 0px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><strong>Sax Burglar Blues &ndash; Robert Walton</strong><br /><em>Seren Books, 2017</em><br /><br />The poems in Robert Walton&rsquo;s <em>Sax Burglar Blues</em> are clever and keenly observed, ranging from vivid memories of youth to pointed satire. In the title poem, the pleasing complexity of jazz mirrors the poet&rsquo;s vocation to embody, echo and reverberate the complexities of lived experience.&nbsp;&nbsp;<br /><br />As befits a poet born and based on the Severn Estuary, Walton&rsquo;s land and townscapes are often damp, misty, watery, and recorded with many subtle variations of blue. There are also pleasingly unlikely totem animals, a nod to the mythical man-eating crocodile that infests Bristol Docks, and the surreal lampoon of a canary&rsquo;s presidential candidacy. Artful and expansive, this is a stunning collection from a newly-revived author.<br /><br /><em>Sax Burglar Blues</em> is available to buy from <a href="https://www.serenbooks.com/productdisplay/sax-burglar-blues" target="_blank">serenbooks.com</a></div>  <div><div style="height: 0px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;"><em>To hear what we said about these books in the 'What We're Reading' segment of the Issue 8 podcast, go here: <a href="http://www.crunchpoetry.com/issue-8.html" target="_blank">crunchpoetry.com/issue-8.html</a></em></div>]]></content:encoded></item><item><title><![CDATA[What We're Reading – December 2017]]></title><link><![CDATA[http://www.crunchpoetry.com/blog/what-were-reading-december-2017]]></link><comments><![CDATA[http://www.crunchpoetry.com/blog/what-were-reading-december-2017#comments]]></comments><pubDate>Mon, 18 Dec 2017 17:15:21 GMT</pubDate><category><![CDATA[What We're Reading]]></category><guid isPermaLink="false">http://www.crunchpoetry.com/blog/what-were-reading-december-2017</guid><description><![CDATA[&#8203;In Issue #7's podcast, our guest Rhys Milsom pointed listeners towards a collection that is&nbsp;full of sentiment without being sentimental, Richard recommended&nbsp;a fascinating glimpse into the mind of&nbsp;a Pulitzer Prize&#8203;-winning poet, Adam endorsed a&nbsp;stunning debut collection from a former Crunch guest, and Rhys suggested picking up a mini coffee-table book about carving site-specific&nbsp;poems onto stone.     A Boat Called Annalise &ndash; Lynne HjelmgaardSeren Books, [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><em>&#8203;In <a href="http://www.crunchpoetry.com/issue-7.html" target="_blank">Issue #7's</a> podcast, our guest <a href="http://www.crunchpoetry.com/rhys-milsom.html" target="_blank">Rhys Milsom</a> pointed listeners towards a collection that is&nbsp;full of sentiment without being sentimental, <a href="http://www.crunchpoetry.com/richard-james-jones.html" target="_blank">Richard</a> recommended&nbsp;a fascinating glimpse into the mind of&nbsp;a Pulitzer Prize&#8203;-winning poet<span style="color:rgb(213, 213, 213)">, <a href="http://www.crunchpoetry.com/adam-sillman.html" target="_blank">Adam</a></span></em><em><span style="color:rgb(213, 213, 213)"> </span>endorsed a&nbsp;</em><em><span style="color:rgb(213, 213, 213)"></span>stunning debut collection from a former Crunch guest, and <a href="http://www.crunchpoetry.com/rhys-owain-williams.html" target="_blank">Rhys</a> suggested picking up a mini coffee-table book about carving site-specific&nbsp;</em><em>poems onto stone.</em></div>  <div class="wsite-spacer" style="height:50px;"></div>  <span class='imgPusher' style='float:right;height:0px'></span><span style='display: table;width:auto;position:relative;float:right;max-width:100%;;clear:right;margin-top:0px;*margin-top:0px'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/annalise_orig.jpg' rel='lightbox' onclick='if (!lightboxLoaded) return false'><img src="http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/editor/annalise.jpg?1513618436" style="margin-top: 0px; margin-bottom: 0px; margin-left: 20px; margin-right: 0px; border-width:1px;padding:3px; max-width:100%" alt="element_settings.Image+Text_94464494.default" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -0px; margin-bottom: 0px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="text-align:left;display:block;"><strong>A Boat Called Annalise &ndash; Lynne Hjelmgaard</strong><br /><em>Seren Books, 2016</em><br /><br />Lynne Hjelmgaard&rsquo;s third collection <em>A Boat Called Annalise</em> evokes life on a sailboat, recalling a journey the poet took on a sailboat to the Caribbean and back to Europe with her husband.&nbsp;The couple&rsquo;s relationship is poised on tensions, beautifully observed, as masculine/feminine, the need to assert and/or withdraw in the face of the turbulent seascape.<br /><br />Our guest Rhys Milsom reviewed&nbsp;&#8203;<em>A Boat Called Annalise </em>for <em>Wales Arts Review </em>in 2016. You can read Rhys's review here:&nbsp;<span style="color:rgb(213, 213, 213)">&nbsp;</span><a href="http://www.walesartsreview.org/a-boat-called-annalise-by-lynne-hjelmgaard/" target="_blank">walesartsreview.org/a-boat-called-annalise-by-lynne-hjelmgaard</a><br /><br />&#8203;<em>A Boat Called Annalise</em> is available to buy from&nbsp;<a href="https://www.serenbooks.com/productdisplay/boat-called-annalise" target="_blank">serenbooks.com</a></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <div class="wsite-spacer" style="height:50px;"></div>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/charles-simic_orig.jpg' rel='lightbox' onclick='if (!lightboxLoaded) return false'><img src="http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/published/charles-simic.jpg?1513694140" style="margin-top: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 20px; border-width:1px;padding:3px; max-width:100%" alt="element_settings.Image+Text_94464494.default" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -0px; margin-bottom: 0px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="text-align:left;display:block;"><strong>The Monster Loves His Labyrinth &ndash; Charles Simic&#8203;</strong><br /><em>Ausable Press</em><em>, 2008</em><br /><br /><em>The Monster Loves His Labyrinth</em> offers a fascinating glimpse into the mind of poet Charles Simic. Passionate, witty, tender and curious, these notebook entries range from casual jottings to profound observations. Their subject is the vast array of ways in which we human beings try to make sense of our world.<br /><br />Born in Yugoslavia in 1938, Charles Simic won the Pulitzer Prize for Poetry in 1990. In 2007, he was appointed US Poet Laureate and received the Wallace Stevens Award from the Academy of American Poets.<br /><br /><em>The Monster Loves His Labyrinth</em> is available to buy from&nbsp;&#8203;<a href="https://www.coppercanyonpress.org/pages/browse/book.asp?bg={EFACB2C8-C2AD-4E87-9A3E-09181AD80644}" target="_blank">coppercanyonpress.org</a></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <div class="wsite-spacer" style="height:50px;"></div>  <span class='imgPusher' style='float:right;height:0px'></span><span style='display: table;width:228px;position:relative;float:right;max-width:100%;;clear:right;margin-top:0px;*margin-top:0px'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/the-days-after_1.jpg' rel='lightbox' onclick='if (!lightboxLoaded) return false'><img src="http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/editor/the-days-after_1.jpg?1513694133" style="margin-top: 0px; margin-bottom: 0px; margin-left: 20px; margin-right: 0px; border-width:1px;padding:3px; max-width:100%" alt="element_settings.Image+Text_94464494.default" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -0px; margin-bottom: 0px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="text-align:left;display:block;"><strong>The Days After &ndash; Rebecca Parfitt</strong><br /><em>Listen Softly London, 2017</em><br /><br /><em>The Days After</em> is the stunning debut collection from our <a href="http://www.crunchpoetry.com/issue-5.html" target="_blank">Issue #5</a> guest Rebecca Parfitt. A moving, close-to-the-bone account of heartbreak,&nbsp; the poems record the trajectory of a relationship &ndash; from passionate infatuation, through tortuous unravelling and, finally, the promise of what will be lived afterwards. The collection was recently selected as one of <a href="http://www.cardiffreview.com/year-in-books" target="_blank"><em>The Cardiff Review's</em> books of 2017</a>:&nbsp;"...both delicate and powerful....Parfitt has a precise, sometimes devastatingly brittle, quality to her writing."<br /><br /><em>The Days After</em> is available to buy from&nbsp;&#8203;<a href="http://listensoftlylondon.bigcartel.com/product/the-days-after-rebecca-parfitt" target="_blank">listensoftlylondon.com<br /><br />&#8203;</a>Watch Rebecca reading some of the poems from <em>The Days After</em> here:&nbsp;<a href="http://www.crunchpoetry.com/rebecca-parfitt.html" target="_blank">crunchpoetry.com/rebecca-parfitt.html</a></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <div class="wsite-spacer" style="height:50px;"></div>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/stanza-stones-simon-armitage_orig.jpg' rel='lightbox' onclick='if (!lightboxLoaded) return false'><img src="http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/published/stanza-stones-simon-armitage.jpg?1513697670" style="margin-top: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 20px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -0px; margin-bottom: 0px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="text-align:left;display:block;"><strong>Stanza Stones &ndash; Simon Armitage, Pip Hall and Tom Lonsdale</strong><br /><em>Enitharmon Press, 2013</em><br /><br />In 2012, Simon Armitage was commissioned by the Ilkley Literature Festival to write six site-specific poems. <em>Stanza Stones</em> presents a record of the project to carve these poems onto stone along a new trail in England&rsquo;s Pennine region.<br /><br />With the help of local expert Tom Lonsdale and letter-carver Pip Hall, Armitage found extraordinary, secluded sites for his words to be carved into stone. <em>Stanza Stones</em>&nbsp;brings together Armitage's six poems and the accounts of Hall and Lonsdale, publishing them alongside colour photographs of the project in progress and the stones in their completed state.<br /><br /><em>Stanza Stones</em> is available to buy from <a href="https://enitharmon.co.uk/product/stanza-stones-simon-armitage/" target="_blank">enitharmon.co.uk</a>&nbsp;</div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <div class="wsite-spacer" style="height:50px;"></div>  <div class="paragraph" style="text-align:left;"><em>To hear what we said about these books in the 'What We're Reading' segment of the Issue #7 podcast, go here: <a href="http://www.crunchpoetry.com/issue-7.html" target="_blank">crunchpoetry.com/issue-7.html</a></em></div>]]></content:encoded></item><item><title><![CDATA[#SwanseaIsCulture]]></title><link><![CDATA[http://www.crunchpoetry.com/blog/swanseaisculture]]></link><comments><![CDATA[http://www.crunchpoetry.com/blog/swanseaisculture#comments]]></comments><pubDate>Thu, 07 Dec 2017 13:24:30 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.crunchpoetry.com/blog/swanseaisculture</guid><description><![CDATA[       &#8203;We're fiercely proud to be based in our hometown Swansea. Seven of the poets we've featured so far are Swansea residents, and the city and its environs provide the backdrop to many of our videos. Swansea is already a city of culture &ndash; the&nbsp;Swansea 2021&nbsp;team have proved that with their inspirational&nbsp;#SwanseaIsCulture&nbsp;hashtag &ndash;but it would be so good for the city and its residents to take the official UK City of Culture title for 2021.&#8203;   				 			 [...] ]]></description><content:encoded><![CDATA[<div><div class="wsite-image wsite-image-border-none " style="padding-top:20px;padding-bottom:20px;margin-left:0px;margin-right:0px;text-align:center"> <a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/id-you-know_orig.png' rel='lightbox' onclick='if (!lightboxLoaded) return false'> <img src="http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/id-you-know_orig.png" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;">&#8203;We're fiercely proud to be based in our hometown Swansea. Seven of the <a href="http://www.crunchpoetry.com/poets.html" target="_blank">poets we've featured so far</a> are Swansea residents, and the city and its environs provide the backdrop to many of our videos. Swansea is already a city of culture &ndash; the<span style="color:rgb(213, 213, 213)">&nbsp;<a href="http://www.swansea2021.co.uk/" target="_blank">Swansea 2021</a></span>&nbsp;team have proved that with their inspirational&nbsp;<span style="color:rgb(213, 213, 213)"><a href="https://twitter.com/hashtag/SwanseaIsCulture" target="_blank">#SwanseaIsCulture</a></span>&nbsp;hashtag &ndash;but it would be so good for the city and its residents to take the official UK City of Culture title for 2021.&#8203;<span style="color:rgb(213, 213, 213)"></span></div>  <div><div style="height: 20px; overflow: hidden;"></div> 				<div id='777633748976476788-gallery' class='imageGallery' style='line-height: 0px; padding: 0; margin: 0'><div id='777633748976476788-imageContainer0' style='float:left;width:24.95%;margin:0;'><div id='777633748976476788-insideImageContainer0' style='position:relative;margin:5px;'><div class='galleryImageHolder' style='position:relative; width:100%; padding:0 0 100%;overflow:hidden;'><div class='galleryInnerImageHolder'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/6_orig.png' rel='lightbox[gallery777633748976476788]'><img src='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/6.png' class='galleryImage' _width='400' _height='400' style='position:absolute;border:0;width:100%;top:-0%;left:0%' /></a></div></div></div></div><div id='777633748976476788-imageContainer1' style='float:left;width:24.95%;margin:0;'><div id='777633748976476788-insideImageContainer1' style='position:relative;margin:5px;'><div class='galleryImageHolder' style='position:relative; width:100%; padding:0 0 100%;overflow:hidden;'><div class='galleryInnerImageHolder'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/4_orig.png' rel='lightbox[gallery777633748976476788]'><img src='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/4.png' class='galleryImage' _width='400' _height='400' style='position:absolute;border:0;width:100%;top:-0%;left:0%' /></a></div></div></div></div><div id='777633748976476788-imageContainer2' style='float:left;width:24.95%;margin:0;'><div id='777633748976476788-insideImageContainer2' style='position:relative;margin:5px;'><div class='galleryImageHolder' style='position:relative; width:100%; padding:0 0 100%;overflow:hidden;'><div class='galleryInnerImageHolder'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/3_orig.png' rel='lightbox[gallery777633748976476788]'><img src='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/3.png' class='galleryImage' _width='400' _height='400' style='position:absolute;border:0;width:100%;top:-0%;left:0%' /></a></div></div></div></div><div id='777633748976476788-imageContainer3' style='float:left;width:24.95%;margin:0;'><div id='777633748976476788-insideImageContainer3' style='position:relative;margin:5px;'><div class='galleryImageHolder' style='position:relative; width:100%; padding:0 0 100%;overflow:hidden;'><div class='galleryInnerImageHolder'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/5_orig.png' rel='lightbox[gallery777633748976476788]'><img src='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/5.png' class='galleryImage' _width='400' _height='400' style='position:absolute;border:0;width:100%;top:-0%;left:0%' /></a></div></div></div></div><span style='display: block; clear: both; height: 0px; overflow: hidden;'></span></div> 				<div style="height: 20px; overflow: hidden;"></div></div>  <blockquote style="text-align:center;"><font color="#2a2a2a">Prouder cities rise through the haze of time,<br />Yet, unenvious, all men have found is here.<br /><br />&#8203;&ndash; &lsquo;Ode to Swansea&rsquo; by Vernon Watkins</font></blockquote>  <div class="wsite-spacer" style="height:12px;"></div>  <div class="paragraph" style="text-align:left;"><span style="color:rgb(213, 213, 213)"></span>The Crunch fully supports Swansea's bid to become UK City of Culture 2021. &#8203;Good luck to everyone involved today, let's hope the judges agree that&nbsp;<span style="color:rgb(213, 213, 213)"><a href="https://twitter.com/hashtag/SwanseaIsCulture" target="_blank">#SwanseaIsCulture</a></span>!&#8203;<span style="color:rgb(213, 213, 213)"></span></div>]]></content:encoded></item><item><title><![CDATA[The Crunch on Goodreads]]></title><link><![CDATA[http://www.crunchpoetry.com/blog/the-crunch-on-goodreads]]></link><comments><![CDATA[http://www.crunchpoetry.com/blog/the-crunch-on-goodreads#comments]]></comments><pubDate>Fri, 13 Oct 2017 16:29:39 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.crunchpoetry.com/blog/the-crunch-on-goodreads</guid><description><![CDATA[       We're now on Goodreads, a place for readers to share and discuss books with other readers.Join the discussion at goodreads.com/group/213818-the-crunch [...] ]]></description><content:encoded><![CDATA[<div><div class="wsite-image wsite-image-border-none " style="padding-top:20px;padding-bottom:20px;margin-left:0px;margin-right:0px;text-align:center"> <a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/follow_orig.png' rel='lightbox' onclick='if (!lightboxLoaded) return false'> <img src="http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/follow_orig.png" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:center;">We're now on <a href="http://www.goodreads.com" target="_blank">Goodreads</a>, a place for readers to share and discuss books with other readers.<br /><br />Join the discussion at <a href="https://www.goodreads.com/group/213818-the-crunch" target="_blank">goodreads.com/group/213818-the-crunch</a></div>]]></content:encoded></item><item><title><![CDATA[Some Photos from The Swansea Fringe]]></title><link><![CDATA[http://www.crunchpoetry.com/blog/some-photos-from-the-swansea-fringe]]></link><comments><![CDATA[http://www.crunchpoetry.com/blog/some-photos-from-the-swansea-fringe#comments]]></comments><pubDate>Mon, 02 Oct 2017 07:00:00 GMT</pubDate><category><![CDATA[Events]]></category><guid isPermaLink="false">http://www.crunchpoetry.com/blog/some-photos-from-the-swansea-fringe</guid><description><![CDATA[We're still recovering from The Swansea Fringe &ndash; what an incredible weekend! Thank you to everyone who came to our Crunch Omnibus event on Friday evening, and to our four readers Christopher Cornwell, Alan Kellermann, D. E. Oprava and Rebecca Parfitt.   				 				  If the recording gods have been kind to us, then a special Fringe edition of The Crunch will be with you very soon! [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">We're still recovering from <a href="http://theswanseafringe.com/" target="_blank">The Swansea Fringe</a> &ndash; what an incredible weekend! Thank you to everyone who came to our <a href="https://www.facebook.com/events/522838954734871" target="_blank">Crunch Omnibus</a> event on Friday evening, and to our four readers <a href="http://www.crunchpoetry.com/christopher-cornwell.html" target="_blank">Christopher Cornwell</a>, <a href="http://www.crunchpoetry.com/alan-kellermann.html" target="_blank">Alan Kellermann</a>, D. E. Oprava and <a href="http://www.crunchpoetry.com/rebecca-parfitt.html" target="_blank">Rebecca Parfitt</a>.<br /></div>  <div><div style="height: 20px; overflow: hidden;"></div> 				<div id='831080632704924501-gallery' class='imageGallery' style='line-height: 0px; padding: 0; margin: 0'><div id='831080632704924501-imageContainer0' style='float:left;width:24.95%;margin:0;'><div id='831080632704924501-insideImageContainer0' style='position:relative;margin:5px;'><div class='galleryImageHolder' style='position:relative; width:100%; padding:0 0 100%;overflow:hidden;'><div class='galleryInnerImageHolder'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/crunch-omnibus-8_orig.jpg' rel='lightbox[gallery831080632704924501]'><img src='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/crunch-omnibus-8.jpg' class='galleryImage' _width='400' _height='500' style='position:absolute;border:0;width:100%;top:-12.5%;left:0%' /></a></div></div></div></div><div id='831080632704924501-imageContainer1' style='float:left;width:24.95%;margin:0;'><div id='831080632704924501-insideImageContainer1' style='position:relative;margin:5px;'><div class='galleryImageHolder' style='position:relative; width:100%; padding:0 0 100%;overflow:hidden;'><div class='galleryInnerImageHolder'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/crunch-omnibus-1_orig.jpg' rel='lightbox[gallery831080632704924501]'><img src='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/crunch-omnibus-1.jpg' class='galleryImage' _width='400' _height='401' style='position:absolute;border:0;width:100%;top:-0.12%;left:0%' /></a></div></div></div></div><div id='831080632704924501-imageContainer2' style='float:left;width:24.95%;margin:0;'><div id='831080632704924501-insideImageContainer2' style='position:relative;margin:5px;'><div class='galleryImageHolder' style='position:relative; width:100%; padding:0 0 100%;overflow:hidden;'><div class='galleryInnerImageHolder'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/crunch-omnibus-2_orig.jpg' rel='lightbox[gallery831080632704924501]'><img src='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/crunch-omnibus-2.jpg' class='galleryImage' _width='400' _height='267' style='position:absolute;border:0;width:149.81%;top:0%;left:-24.91%' /></a></div></div></div></div><div id='831080632704924501-imageContainer3' style='float:left;width:24.95%;margin:0;'><div id='831080632704924501-insideImageContainer3' style='position:relative;margin:5px;'><div class='galleryImageHolder' style='position:relative; width:100%; padding:0 0 100%;overflow:hidden;'><div class='galleryInnerImageHolder'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/crunch-omnibus-3_orig.jpg' rel='lightbox[gallery831080632704924501]'><img src='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/crunch-omnibus-3.jpg' class='galleryImage' _width='400' _height='300' style='position:absolute;border:0;width:133.33%;top:0%;left:-16.67%' /></a></div></div></div></div><div id='831080632704924501-imageContainer4' style='float:left;width:24.95%;margin:0;'><div id='831080632704924501-insideImageContainer4' style='position:relative;margin:5px;'><div class='galleryImageHolder' style='position:relative; width:100%; padding:0 0 100%;overflow:hidden;'><div class='galleryInnerImageHolder'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/crunch-omnibus-4_orig.jpg' rel='lightbox[gallery831080632704924501]'><img src='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/crunch-omnibus-4.jpg' class='galleryImage' _width='400' _height='267' style='position:absolute;border:0;width:149.81%;top:0%;left:-24.91%' /></a></div></div></div></div><div id='831080632704924501-imageContainer5' style='float:left;width:24.95%;margin:0;'><div id='831080632704924501-insideImageContainer5' style='position:relative;margin:5px;'><div class='galleryImageHolder' style='position:relative; width:100%; padding:0 0 100%;overflow:hidden;'><div class='galleryInnerImageHolder'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/crunch-omnibus-5_orig.jpg' rel='lightbox[gallery831080632704924501]'><img src='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/crunch-omnibus-5.jpg' class='galleryImage' _width='400' _height='300' style='position:absolute;border:0;width:133.33%;top:0%;left:-16.67%' /></a></div></div></div></div><div id='831080632704924501-imageContainer6' style='float:left;width:24.95%;margin:0;'><div id='831080632704924501-insideImageContainer6' style='position:relative;margin:5px;'><div class='galleryImageHolder' style='position:relative; width:100%; padding:0 0 100%;overflow:hidden;'><div class='galleryInnerImageHolder'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/crunch-omnibus-7_orig.jpg' rel='lightbox[gallery831080632704924501]'><img src='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/crunch-omnibus-7.jpg' class='galleryImage' _width='400' _height='267' style='position:absolute;border:0;width:149.81%;top:0%;left:-24.91%' /></a></div></div></div></div><div id='831080632704924501-imageContainer7' style='float:left;width:24.95%;margin:0;'><div id='831080632704924501-insideImageContainer7' style='position:relative;margin:5px;'><div class='galleryImageHolder' style='position:relative; width:100%; padding:0 0 100%;overflow:hidden;'><div class='galleryInnerImageHolder'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/crunch-omnibus-6_orig.jpg' rel='lightbox[gallery831080632704924501]'><img src='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/crunch-omnibus-6.jpg' class='galleryImage' _width='400' _height='267' style='position:absolute;border:0;width:149.81%;top:0%;left:-24.91%' /></a></div></div></div></div><span style='display: block; clear: both; height: 0px; overflow: hidden;'></span></div> 				<div style="height: 20px; overflow: hidden;"></div></div>  <div class="paragraph" style="text-align:left;">If the recording gods have been kind to us, then a special Fringe edition of The Crunch will be with you very soon!<br /></div>]]></content:encoded></item><item><title><![CDATA[Swansea Fringe: The Crunch Omnibus]]></title><link><![CDATA[http://www.crunchpoetry.com/blog/swansea-fringe-the-crunch-omnibus]]></link><comments><![CDATA[http://www.crunchpoetry.com/blog/swansea-fringe-the-crunch-omnibus#comments]]></comments><pubDate>Mon, 18 Sep 2017 07:00:00 GMT</pubDate><category><![CDATA[Events]]></category><guid isPermaLink="false">http://www.crunchpoetry.com/blog/swansea-fringe-the-crunch-omnibus</guid><description><![CDATA[       We're delighted to be involved in the return of The Swansea Fringe&nbsp;at the end of this month,&nbsp;and the line-up for our event has now been confirmed! We're getting the band back together, inviting three of our previous guests to return for a special live omnibus edition. &#8203;Head down to The Grand Hotel on Friday 29th September to catch up with Alan Kellermann (Issue #3), Rebecca Parfitt (Issue #5) and Christopher Cornwell (Issue #6), and also hear the poetry of forthcoming Crun [...] ]]></description><content:encoded><![CDATA[<div><div class="wsite-image wsite-image-border-none " style="padding-top:20px;padding-bottom:20px;margin-left:0px;margin-right:0px;text-align:center"> <a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/21741005-1554353591292348-5549455400538336611-o_1_orig.jpg' rel='lightbox' onclick='if (!lightboxLoaded) return false'> <img src="http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/21741005-1554353591292348-5549455400538336611-o_1_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;">We're delighted to be involved in the return of <a href="http://theswanseafringe.com/" target="_blank">The Swansea Fringe</a>&nbsp;at the end of this month,&nbsp;and the line-up for our event has now been confirmed! We're getting the band back together, inviting three of our previous guests to return for a special live omnibus edition. <br /><br />&#8203;Head down to The Grand Hotel on Friday 29th September to catch up with <a href="http://www.crunchpoetry.com/alan-kellermann.html" target="_blank">Alan Kellermann</a> (Issue #3), <a href="http://www.crunchpoetry.com/rebecca-parfitt.html" target="_blank">Rebecca Parfitt</a> (Issue #5) and <a href="http://www.crunchpoetry.com/christopher-cornwell.html" target="_blank">Christopher Cornwell</a> (Issue #6), and also hear the poetry of forthcoming Crunch feature D. E. Oprava. For more information about the event, head over to the <a href="https://www.facebook.com/events/522838954734871" target="_blank">Facebook event page</a>.<br /><br />This is a ticketed event as part of The Swansea Fringe. If you don't have a festival wristband, you can pay &pound;5 on the door. Find out more about day/weekend tickets here: <a href="http://www.tinyurl.com/FringeSwansea" target="_blank">www.tinyurl.com/FringeSwansea</a><br /><br />We will hopefully see you on the 29th!</div>]]></content:encoded></item><item><title><![CDATA[What We're Reading – June 2017]]></title><link><![CDATA[http://www.crunchpoetry.com/blog/what-were-reading-issue-6]]></link><comments><![CDATA[http://www.crunchpoetry.com/blog/what-were-reading-issue-6#comments]]></comments><pubDate>Wed, 07 Jun 2017 07:00:00 GMT</pubDate><category><![CDATA[What We're Reading]]></category><guid isPermaLink="false">http://www.crunchpoetry.com/blog/what-were-reading-issue-6</guid><description><![CDATA[&#8203;In Issue #6's podcast, our guest Christopher Cornwell recommended a collection that celebrates and laments a lost Parisian river, Rhys pointed our listeners towards an anthology of emerging Welsh writers, Adam revisited a first collection written in Swansea dialect and Richard recommended a publication that represents a unique and inclusive poetry of consciousness.     Teint &ndash; Zo&euml; SkouldingHafan Books, 2016Teint (or Teint: For the Bievre / Pour la Bievre) is the latest publicat [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><em>&#8203;In <a href="http://www.crunchpoetry.com/issue-6.html" target="_blank">Issue #6's</a> podcast, our guest <a href="http://www.crunchpoetry.com/christopher-cornwell.html" target="_blank">Christopher Cornwell</a> recommended a collection that celebrates and laments a lost Parisian river, <a href="http://www.crunchpoetry.com/rhys-owain-williams.html" target="_blank">Rhys</a> pointed our listeners towards an anthology of emerging Welsh writers, <a href="http://www.crunchpoetry.com/adam-sillman.html" target="_blank">Adam</a> revisited a first collection written in Swansea dialect and <a href="http://www.crunchpoetry.com/richard-james-jones.html" target="_blank">Richard</a> recommended a publication that represents a unique and inclusive poetry of consciousness.</em></div>  <div class="wsite-spacer" style="height:50px;"></div>  <span class='imgPusher' style='float:right;height:0px'></span><span style='display: table;width:auto;position:relative;float:right;max-width:100%;;clear:right;margin-top:0px;*margin-top:0px'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/teint_orig.jpg' rel='lightbox' onclick='if (!lightboxLoaded) return false'><img src="http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/editor/teint.jpg?1500472467" style="margin-top: 0px; margin-bottom: 20px; margin-left: 20px; margin-right: 0px; border-width:0; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -20px; margin-bottom: 20px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="text-align:left;display:block;"><strong>Teint &ndash; Zo&euml; Skoulding</strong><br /><em>Hafan Books, 2016</em><br /><br /><em>Teint</em> (or <em>Teint: For the Bievre / Pour la Bievre</em>) is the latest publication in the <em>Boiled String</em> series of poetry chapbooks from Hafan Books. Zo&euml; Skoulding's poems in this collection celebrate and mourn the 'lost' Parisian river La Bi&egrave;vre &ndash; a culverted tributary of the Seine.&nbsp;<br /><br />A bilingual publication, <em>Teint</em> includes translations into French from the Parisian poet Jean Portante, whose own work was translated into English by Skoulding and published in <em><a href="https://www.serenbooks.com/productdisplay/reality-selected-poems" target="_blank">In Reality</a></em> (Seren, 2013).&nbsp;<br /><br /><em>Teint</em> is available to buy from <a href="http://www.lulu.com/shop/zo%C3%AB-skoulding-and-jean-portante/teint-for-the-bi%C3%A8vre-pour-la-bi%C3%A8vre/paperback/product-22605928.html" target="_blank">lulu.com/hafan</a>&nbsp;</div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <div class="wsite-spacer" style="height:50px;"></div>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/cheval-9-final-1-grande_orig.jpg' rel='lightbox' onclick='if (!lightboxLoaded) return false'><img src="http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/published/cheval-9-final-1-grande.jpg?1500474682" style="margin-top: 0px; margin-bottom: 20px; margin-left: 0px; margin-right: 20px; border-width:0; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -20px; margin-bottom: 20px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="text-align:left;display:block;"><strong>Cheval 9: The Terry Hetherington Award Anthology 2016&nbsp;</strong><br /><em>Parthian Books, 2016</em><br /><br />The ninth edition of the <em>Cheval</em> anthology contains a selection of the best poetry and prose submitted to last year's Terry Hetherington Award. The award has become known as one of the most significant awards for young writers in Wales, and counts poets Jonathan Edwards, <a href="http://www.crunchpoetry.com/natalie-ann-holborow.html" target="_blank">Natalie Ann Holborow</a> and Jemma L. King amongst its previous winners. &nbsp;<br /><br />In addition to publishing the year&rsquo;s best submissions, the anthology also collects new work by previous winners and commended entrants.<br /><br /><em>Cheval 9</em> is available to buy from <a href="https://www.parthianbooks.com/products/cheval-9" target="_blank">parthianbooks.com</a></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <div class="wsite-spacer" style="height:50px;"></div>  <span class='imgPusher' style='float:right;height:0px'></span><span style='display: table;width:auto;position:relative;float:right;max-width:100%;;clear:right;margin-top:0px;*margin-top:0px'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/tidy-boy_orig.jpg' rel='lightbox' onclick='if (!lightboxLoaded) return false'><img src="http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/editor/tidy-boy.jpg?1500475571" style="margin-top: 0px; margin-bottom: 20px; margin-left: 20px; margin-right: 0px; border-width:0; max-width:100%" alt="element_settings.Image+Text_94464494.default" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -20px; margin-bottom: 20px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="text-align:left;display:block;"><strong>Tidy Boy &ndash; David Hughes</strong><br /><em>Swansea Poetry Workshop, 1999</em><br /><br />A first collection from David Hughes,&nbsp;<em>Tidy Boy</em> reflects upon people's relationships with one another, on being Welsh, and on the city of Swansea and its inhabitants. Many of the poems are written in Swansea dialect, brilliantly capturing the voices and experiences of people rarely heard in poetry.&nbsp;Unfortunately&#8203;, <em>Tidy Boy</em> is now out of print, but you can still pick up a second-hand copy at <a href="https://biblio.co.uk/book/tidy-boy-hughes-david/d/531735032?aid=frg&amp;utm_source=google&amp;utm_medium=product&amp;utm_campaign=feed-details&amp;gclid=CKGo7Lie0dQCFZup7QodXzwCZQ" target="_blank">biblio.co.uk</a><br /><br />Watch David Hughes read 'Swansea Market', filmed and edited by friends of the Crunch <a href="http://turnshoe.co.uk/" target="_blank">Turnshoe Productions</a>:<br /><br /><a href="https://www.youtube.com/watch?v=O97CY0BD_A0" target="_blank">Swansea Market&nbsp;&ndash; David Hughes</a><br /><br /></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <div class="wsite-spacer" style="height:50px;"></div>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a href='http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/9780374523763_orig.jpg' rel='lightbox' onclick='if (!lightboxLoaded) return false'><img src="http://www.crunchpoetry.com/uploads/2/6/0/9/26094786/editor/9780374523763.jpg?1500816997" style="margin-top: 0px; margin-bottom: 20px; margin-left: 0px; margin-right: 20px; border-width:0; max-width:100%" alt="element_settings.Image+Text_94464494.default" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -20px; margin-bottom: 20px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="text-align:left;display:block;"><strong>A Dream of Mind &ndash; C.K. Williams</strong><br /><em>Farrar, Straus and Giroux, 1992</em><br /><br /><em>A Dream of Mind</em> is a challenging, exhilarating collection, representing an important stage in the evolution of C. K. Williams' work. It's dominated by the long title poem, which explores the materials and qualities of states of consciousness with enormous flexibility and suppleness.<br /><br />The poetry of C. K. Williams, who died in 2015, has won an essential place in contemporary American poetry. The long lines that characterised his style from the mid-1970s onwards allowed him to make ever more radical forays into what <em>The New York Times</em>&nbsp;called "a unique and inclusive poetry of consciousness."&nbsp;<br /><br /><span style="color:rgb(213, 213, 213)"></span><em>A Dream of Mind</em> is available to buy from<span style="color:rgb(213, 213, 213)">&nbsp;</span><a href="https://us.macmillan.com/adreamofmind/ckwilliams/9780374523763/" target="_blank">us.macmillan.com</a><br /><br />&#8203;</div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <div class="wsite-spacer" style="height:10px;"></div>  <div class="paragraph" style="text-align:left;"><em>To hear what we said about these books in the 'What We're Reading' segment of the Issue #6 podcast, go here: <a href="http://www.crunchpoetry.com/issue-6.html" target="_blank">crunchpoetry.com/issue-6.html</a></em></div>]]></content:encoded></item></channel></rss>